The ferrules and mounts found on Alexander’s instruments are fashioned from richly grained exotic hardwoods or from refined modern materials that gracefully emulate ivory or buffalo horn. These elements serve not merely as adornments, but as vital structural reinforcements—fortifying joints and bearing components subject to mechanical stress and wear.

A select palette of precious metals is also employed throughout: from projecting mounts and ferrules to tuning pins and rings of various kinds. Each metal part is expertly shaped using a variety of traditional techniques—rolled, soldered, or cast—before undergoing precision turning to achieve the finest possible finish.

The method chosen for crafting each individual component is guided by a thoughtful balance of structural purpose, aesthetic sensibility, and, naturally, the discerning wishes of the client.

Anistratov’s standard of craftsmanship is rooted in the time-honoured tradition of “block-mounted” keys—a refined method wherein each key is secured to the instrument’s body via precisely carved wooden mounts. This venerable approach, known since the Baroque era and likely earlier, reflects a reverence for both function and form.

Every metal key is not merely a component, but a miniature work of art—each one individually hand-forged from raw metal, then hardened, meticulously shaped, and finished by the skilled hands of the maker. The process continues with careful polishing, pinning, and the fitting of a responsive leaf spring, culminating in a final fitting where each key settles snugly into its appointed place with perfect poise.

For those with particular tastes, metal-lined saddles crafted from matching material may be commissioned by special request. Ultimately, it is not merely aesthetic beauty that guides Anistratov’s keywork, but a pursuit of impeccable ergonomics and balance—hallmarks of a truly distinguished instrument.

In addition to the precise turning and milling of hardwoods, metals, horn, and ivory, the Anistratov Bagpipes workshop holds particular distinction in the art of carving, chasing, and engraving these noble materials. This decorative work may take the form of a name shield—bearing, at the client’s request, the owner’s name, the maker’s mark, and the place and year of creation—subtly affirming both provenance and personal connection.

These bespoke name shields are crafted from the same fine metal as the instrument’s ferrules and mounts, and are expertly affixed to the bass drone stock, common stock, or bellows hinge—depending on the client’s preference.

On De Luxe sets, full engraving of all metal mounts and ferrules may be commissioned, offering an added layer of elegance and distinction. For those desiring a truly unique touch, elements of buffalo horn or mammoth ivory may be delicately hand-carved—completing the design with a flourish of individuality that only a truly bespoke instrument can convey.